Showing posts with label Fall 2011. Show all posts
Showing posts with label Fall 2011. Show all posts

Buy Of The Day | N°21 FW 2011 Cardigan


Everyone Knows By now how Much I Love N°21 By Alessandro Dell'Acqua , His alluring Creativity in Finding The Balance between The world of masculinity and femininity is really amazing ,Alessandro Set The Trend with The First collection in Fall 2010 to his Latest Collection Spring Summer 2012.

Buy of The Day is the lurex Cardigan From N°21 Fall 2011 .Its a straight From the Runway look and Lurex is Very Big this season.The Cardigan gives a masculine appeal worked into a Very feminine fabric and Color ,you can wear it with almost Everything in your closet From skirts, Pants and Dresses. 



Buy This Runway Look Here 



We Love Salar Fall Winter 2011-2012 Collection

Need  Something  New & Chic For Fall ,  Salar Handbags offer's the Best luxury handbags for Fall ,  with its high fashion and high quality materials yet unusually well-priced bags. The retro-glamour Salar offer is very unique in Fashion Right now.

Buy Salar Fall Winter 2011-12 Here 































 Read More About Salar Here 



Exclusive Interview Designer Timothy George

“Clothes are the words to emotion, the ultimate form of self-expression.”Timothy George


Timothy George  is innately curious about how things are made. This deep fascination intrigued him to explore the fine craftsmanship and fabrication of high-end garments. Lacking a formal fashion background, Timothy found himself on the chaotic streets of New York’s garment district seeking “the way to his passion”. His dedication to achieve landed him an internship with one of the industry’s most respected garment factories. During the four years working in the factory, he was devoted to train with skilled craftsmen from draping, cutting, hand sewing, fabrication, to technical constructions. Following that, he trained with Franco Maselli, a custom hand-made suit tailor and pattern maker that traditionally trained in Italy. As a result, Timothy George’s garments essentially focus on the precision of construction, architectural appearance, and the innovative use of fabrics.

“Every moment in time deserves an exclusive, crafted design”Timothy George


UD: Please tell us a bit about yourself what is youreducational and professional background and how do you feel it prepared you fora career in design?

TG: I actually don’t have any formalfashion training, but I did go to University for Public Relations, graduatedwith a degree in actually I don’t know what the hell the degree was in… anywaymoving on. This helped me a lot because it made me realize A. I am NEVERwearing a tie to work.  &  B. that I will never ever get a job in PublicRelations. It was soon after that I saw, wow if I don’t do something that Ilove then what is the point of doing anything at all?

This is when I went to seek a realfashion education, and I got it from the streets of NYC. I knew I couldn't afford fashion school on top of going to University and I was already 2 yearsinto it so I decided that I would have to find an alternative. Very simple, myonly option was to go to NYC and start knocking on doors looking for someonewho could teach me. This is exactly what I did; I was able to find a high endAtelier who did production for major brands to take me in. Fast forward 3 yearslater I was slowly gaining all the knowledge I needed to start designing. Andthat’s how it all started     

UD: When did you first get in touch withfashion, what was your earliest fashion memory?

TG: Well funny as it may sound, myearliest fashion memory is when I was a little toddler.  I explicitly remember absolutely refusing towear jeans! I remember like it was yesterday they would itch me so bad! I couldn't take it, so my Mom had to buy me corduroys (every color) those wereabout the only slacks I could stand! Now it’s quite the opposite.

UD: What made you decided to get infashion and specifically to start your own line?

TG: This question is actually a whoinstead of a what haha! Thebeginning of my fashion interest started when I met a luxury accessory designerby the Name Rene Lautrec. Lautrec noticed that I had an innate sense for detail and deep appreciation for quality;it was at that point that he encouraged me to try to design. I, confused andnot knowing anything about design soon came to find that designing was muchmore then drawing lines on paper. It took a while I would say about 2 years butI liked the idea and decided to move forward with designing so I went seekingthe next steps to making my drawings a reality.

UD: What is the best part about your job?

TG: The best part of my job really allcomes down to one thing, that moment when my ideas come to a reality. I love creating;it gives me a feeling of accomplishment. There aren’t many jobs out there thatallow you to go through the creative process completely; there is nothingbetter than, having an idea one day and the next having that idea in physicalform.

UD: What is a typical day like in the life of Timothy George?

TG: Typical day, wake up grab my phone,check my e-mail (usually there is not much) I’m much more of a phone guy I liketo call people I think e-mail is to impersonal. Then I will check my Twitter and Facebook accounts that is  my dailynews. It puts me in the fashion groove, all the tweets (and I actually readalmost all of them) from all around the world are waiting for me to read! LoveThat! Once I get to the office I grab a coffee and then I start thinking it’sfunny because when you work for yourself you have to create what is next halfof my day is consumed with thinking what I need to do the other half is doingit. Most designers who have a start up brand like mine actually don’t designbut 10% of the time, its running the business that they have to do (thank God Ihave a very capable business partner that helps me with this). I hate this butit’s a real reality, so I made a pact with myself that I will not leave theoffice unless I created something new. I do this because I refuse to become astatistic so although it’s a true fact most designers only design 10% of thetime I make sure it’s not true with me, funny thing most of the time I don’teven use what I made/sketched/draped for a collection but I still need to doit…it’s all about being loyal to yourself! After I design one new thing my dayis typically by now it’s usually 8-9:00. Back home and well what happens athome isn’t all that interesting, involves a glass of wine and magazines, and noI do not watch TV, 3-4 hours a month max!    

UD: How do you classify fashion as an artand fashion as a business?

TG: Fashion as an Art, well all fashion isan art, it’s the art of making something, and like any art you have levels.High fashion is the art of meticulous detail and innovation such as HauteCouture and bridge lines or contemporary fashions may be considered “lower”art. Everything that needs to be created involves some type of art. When itcomes to business the definition of art/fashion becomes a bit different,fashion as a business turns into an art of creating sales. The business side offashion tends to make fashion a bit cheap, not necessarily in a price pointtype of way but in the way that many artistic ideas have to be limited.Sometimes I wish clothing was free! This would create an amazing world offashion!   

UD: What do you wish you had known before entering the fashion industry?

TG: I will save 10 trees and not answerthis question completely! If I could sum it up in one major sentence it wouldbe, “understanding that what you see is not exactly what you get”

UD: Being Based in New York, how and inwhat way does the big apple inspire Timothy George?

TG: I am a huge fan of European fashionand NYC helps me because we have so many tourists here, it’s so easy to spotnew ideas and new styles of how to wear things and how to uniquely pull off anoutfit.   

UD: What types of clothes do you enjoy designing?

TG: I love designing Blazers because youcan incorporate structure and I am a big fan of structured clothing, also I liketo be on top. Blazers are always the last to get put on and the first to beseen!


UD: How would you describe Timothy Georgewoman? How do you imagine her feeling in your Designs?

TG: The Timothy George woman isadventurous and a bit rebellious, she does not care to show off a bit and sheknows what looks good on her body. She is romantic, but not only with othersbut with herself as well. She knows how she wants to be treated when she is inmy designs she feels unique, she feels covered yet free. Specifically for thiscollection she feels like she has armor on, something that allows her to coverher body but in doing this it frees her to attack what is ahead! 

UD: Your Designs are visionary, perfectly crafted andGlamorous, how do you gain inspiration for your designs?

TG: First I will try to come up with a thememake a mood board or 5 hah…after that, my actual design inspiration comes fromthe draping doll. I love to be hands on; fabric inspires my design when itcomes to draping I love creating lines and creating shapes on the body thatpeople would not think were possible. If  it’s shocking, it’s very Timothy George. 



UD: In yournewest collection, what was the theme for the collection? And what was the mainaesthetics you have used?

TG: This new collection was inspired bylady Knight. The Jackets and coats all are inspired by armor that a Knight maywear. If you look close the lines on the jackets all look like layered piecesof armor plates. Armor requires movement so I was inspired to make the piecesstructured yet light with easy mobility!  

UD: From being a huge fan of yourcollection, I noticed you like to concentrate on the basics and the classicitems. Why do you think this is important?

TG: I feel very strongly that classicitems are important to my client therefore that are important to me. Anyone canmake a crazy piece that can be worn to a pool party or to a circus but theclassic items require a unique sensibility in their design. I feel I canconnect with my client when designing something that is worn often andsomething that is essential in their wardrobe. It creates a challenge at times,Yes. But it is worth the result. My client has high expatiations when it comesto staple items and I am up for the challenge.    

UD: What are you currently working on?

TG: I am currently working on sales forfall and designing my new spring collection.

UD: How would you describe your ownpersonal style?

TG: Anti corporate. If you would see itin a business meeting you won’t see it on me. Also I don’t wear sweat pants,just had to make that clear.

UD: Who are your style icons?

TG: I love Jonny Depps style I think heis never caring what anyone says, and never does what is expected.

UD: What current trend in fashionattracts you the most?

TG: I’m not really into trends because stylistsmake trends, that’s their job… mine is to create what is beautiful if itbecomes trend then great!

UD: Who do you most respect in theindustry currently?

TG: Any struggling designer, I respectthem because I know what it feels like to devote your life for what you loveand the pain that may come with it.

UD: Where do you see Timothy George infive years?

TG: In Paris.


UD: What’s the best advice you can give a designer who’s just starting out?

TG: You can do Anything you put Otherpeople’s minds to….it’s all about the Team!









Exclusive Interview Designer Alexi Freeman






At 32, Alexi Freeman already established himself as one of Australia’s hottest young design talents. After setting up his ALEXI FREEMAN label in 2006/2007, the Hobart boy has gone from strength to strength, designing sensual and alluring clothing line , collaborating with Chantal Kirby, Aaron Roberts (room11 architects) , jeweler Tessa Blazey and  Teaming up with film maker Tom Blachford . 

Alexi is currently based in Melbourne, his collections for women incorporate elements of hand drawn & printed textiles worked into drape and juxtaposed with tailoring. Freeman has since completed 10 seasons of ready-to-wear, selling to a select list of boutiques and private clients in Australia, New Zealand, USA & Europe. Freeman’s collections are a graphic tribute to the world in which we live and his raison d’être is to lure fashion into bed with art, catalyse the rise of understated avant-garde and popularise the notion of urban couture, all the while empowering and paying homage to the modern woman.


UD: Let’s cast our minds back to where it all began for you. When did you first get into the fashion industry and how did it come about? 

AF: I was practicing as a fine artist up until then and I came to the conclusion that my artworks were like story boards for yet to be realised fashion collections so I launched the ALEXI FREEMAN label for Spring Summer 2006/2007 

UD: What inspires Alexi Freeman ? 

AF :The clouds, my dreams, the shapes that I see when I close my eyes... pretty much anything except fashion itself. 

UD:  How would you describe your designs? 

AF: casual, sexy and alluring

UD: What for you is exciting in fashion now? 

AF: I'm excited by the wave of fashion labels collaborating with film makers to realise experiential videos that give us all more of an insight into the world of the designer and their vision. I also think the reinvigoration of old European houses by the designers of today is fascinating and is helping to create a more diverse culture of fashion globally.

UD: What has been your greatest fashion moment?


AF: It hasn't happened yet...

UD: Which pieces do you prefer to design , do you have a favorites? 

AF: I'm pretty obsessed with designing dresses.

UD:  Do you design with a muse in mind? 

AF: No

UD: What do you want women to feel when they are wearing Alexi Freeman? 

AF: more themselves then they did before they started wearing AF.

UD: What was your inspiration behind the AW 11 “Stardust” collection? 

AF: Deep Space.

UD:  What was the most enjoyable moments of designing AW 11 “Stardust “collection? 

AF: Playing with the two-tone stardust sequins. Endless entertainment! Also making our first film, Stardust. 

UD:  What can we expect from Alexi Freeman Upcoming Collection ? 

AF: Check out our  Neo Lace Gown  Neo Lace Gown for a glimpse at what we have in store for you.... 

UD: If we invest in one thing this season, what should it be? 

AF: An ALEXI FREEMAN Stardust trench. Definitely an heirloom in the making! 

UD:  Who, past and present, would you most like to dress? 

AF: past: Isabella Blow. Present: probably Gaga. I'm not sure if anyone loves experimenting with fashion as much as she does. 

UD:  Are there any designers, past or present, that you would have liked to work with? 

AF: Alexander McQueen. Martin Margiela. 

UD:  What do you think sets Australia apart from the rest of the world in terms of fashion and style? 

AF: Probably our penchant for wearing couture with converse. We like to mix it up here which is nice. 

UD: Do you plan to be based in Australia for the foreseeable future? 

AF:  For the timebeing, yes. Although relocating to Europe in a few years time isn't entirely out of the question. 

UD:  Finally, do you have any advice to an up and coming fashion designer? 

AF: Well they say 10 years is an overnight success in the business, so get ready to work your proverbial butt off! 

Stardust Collection aw 2011 :


















Stardust 2011  Film :

Line We Love TATA fall 2010 - 2011 by Tatjana Tatalovic

A Serbian national, Tatjana Tatalovic was born in 1975 in a region of Eastern Europe with a long tradition for arts, crafts and fashion excellence, with a family heritage whose foundation is the textile industry. She sharpened her textile skills and exceptional eye for detail, building her own unique fashion signature which has been developing a growing reputation since 2001. The Eastern European transition to commercialism within the last 10 years is only now allowing this exceptional talent the opportunity to showcase her creativity.

The industry in Belgrade in recent years has acknowledged the exceptional talent that is Tatjana Tatalovic and her newly created brand “TATA”.

Her professional edge was realized in various artistic fields: costume designing for the movies, as a stylist/fashion & art director for music bands, fashion shows and successful collaborations with the most elite Serbian fashion photographers and accessories designers.

Since conception, the brand “TATA” has been acknowledged, appreciated and recognized for its forward-thinking contemporary design.

Tatajna's collection, the SS 2010 “TATA” won the first prize given by Elle Magazine for the most significant fashion collection of the 2009 Belgrade Fashion Week. The critical response from the Belgrade Fashion Week has opened new horizons for Tatjana and her “TATA” brand and has attracted industry interest which offers a bright future for this ambitious and cutting edge designer.

As a painter and art historian, Tatjana injects passion and emotion into her designs, following the fabric’s texture and shape, colors and softness. Her silhouettes are feminine and sophisticated, yet artistic and edgy. A unique handmade touch is found in each collection, incorporated into stitches and drapery where the industrial fabrics are re-created for a fresh and unique product. Using mainly natural fabrics such as cotton, silk and linen, Tatjana reinvents their structure and texture by using stitching techniques that creates a complete new fabric form. Out of new, yet natural materials, a spirit which is at once modern, precious and fresh is given to the clothing that can be worn day or night
 
you can shop the collection at  TATA Online Store 








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